I am pleased to say that work from my ongoing project, Siren Song (photos taken at the Salton Sea in California), has been chosen for the The Fence: New England Regional Showcase, in Boston in 2020. Here is a link to the site where you can see the work of all eight whose work shall be displayed : https://fence.photoville.com/city/boston/
Unabashedly (almost), I ask you to vote for my work for the People’s Choice Award and thank you in advance. I have to admit, though, that I do not really know how this process works. Is it a matter of who asks the most people to vote or do people simply stumble across this page and then vote? I have no idea. No matter, I’m so very excited that my work will be exposed in such a public venue, next year. It’s quite an honour and I thank jurors Meg Birnbaum, Erin Carey, Karen Davis, Iaritza Menjivar, Elin Spring, and Paula Tognarelli.
Since December 2015 I have been pursuing my project Siren Song – a body of work that centres on the desert landscape of California’s Salton Sea. Although I have always known that it is the sparseness, the desert’s horizon, the open terrain, and the distant mountains that draw me in, I did not fully recognize what, specifically, called out to me and made me want to keep taking photographs there. The project continuously evolved and, very slowly, revealed itself – culminating in new and different work during last month’s trip. I have been moving steadily toward this but, to my amazement, it has taken seven visits to the area (a total of about 18 weeks) for me to finally figure out what has pulled me back to this environment, over and over again – what has been haunting me throughout.
For me, the area around the Salton Sea has a ghost-like feeling. It is the silence and emptiness, the realness and rawness of place, that lures me there. The streets give the illusory impression of being un-peopled yet generate a strong sense of a corporeal presence – something invisible there has always stared back at me. Although some of the photographs I made, this past visit, are steeped in the here and now most are not quite in the past, present, or the future. What I was seeing has always been there but, in some odd way, this time, this place has facilitated conjuring my own dreams and encountering my own ghosts.
I’m very delighted and honoured to have been included in this year’s LensCulture Emerging Talents Award. Thank you to the Jurors for picking me as one of the top 50. The work is part of my on going project “This Miracle.”
True story: From time to time I go through my spam email in case something was thrown into it by mistake. The letter from Jim Casper informing me that I was selected was in that pile from a few days prior. Even though I doubted it was spam, I had to find out. So I wrote to him in a separate email (I had to be safe, after all). Amazingly, it was not spam. As you already know…
I’m very honoured to have won Runner Up in the 11th Julia Cameron Award for the Abstract & Still Life category. Thank you to the Jurors. The work is part of my on going project “This Miracle” which is a personal exploration into the human landscape in Bahia, Brasil.
A little over two years ago I posted black and white photographs taken on Hallam Street in Toronto. This time, as you can see for yourself, it is all about colour.
This is the first time I’ve visited the Salton Sea in April. It is a much greener time of the year and the flowers are beautiful. It’s all about flora today (although not all green).