In a post from August 10, 2015 I wrote,
I have never considered landscape photography something I “do” nor a genre in which I am seriously interested. Yet, as I review my images of the last few years, I notice that I have taken my fair share of landscape photographs. Apparently, not only do I like “being” in the natural world, I like taking pictures of it from time to time. Looking through Ewing’s book, and other photography books I have, it is evident that the groundwork for landscape photography is as varied as the world itself and that imagery of landscape includes all forms of the man-made. Sometimes, my photographs are devoid of human figures but they are, nonetheless, often pregnant with human presence.
The first three months of this year I was in Florida – a place I do not much care for unless I am in its natural environment. At the end of my stay, there, I had the opportunity to spend time in Big Cypress National Preserve and Everglades National Park. I have been to the Everglades multiple times and adore it but never have I visited Big Cypress. The few days were terrific and resulted in driving to various hiking spots. Perhaps because I recently inherited the book Landscape (part of The Library of World Photography series), from my father, I have been looking at more landscape photography than usual – much of it in black and white. Not coincidentally (perhaps), I could not help but feel in my heart that this part of Florida was meant to be seen in black and white and elusively; this sentiment was abstract but strong as I was engulfed in the terrain and had the opportunity to meditatively reflect on this ecosystem. Unlike many other landscape images in my repertoire, the following are pictures from an environment seemingly devoid of human touch.