Monthly Archives: December 2014

Life in the 80s: Century Village, Florida

At the Pool

At the Pool

According to the 2014 U.S. Census Bureau, “[B]y adding an average of 803 new residents each day between July 1, 2013 and July 1, 2014, Florida passed New York to become the nation’s third most populous state.” This mirrors migration trends coming from Central and Latin America. Although, one could *almost* believe that part of the migration tendency is a result of retirees’ movement to the land of sun, oranges, and the beach.

Over the Rainbow

Over the Rainbow

There are four Century Village “retirement” communities (for people 55 years or older) in South Florida. Built in the 1980s, they are in Boca Raton, Deerfield Beach, Pembroke Pines, and West Palm Beach. The residents at Century Village are extremely homogeneous with a racial makeup of 98.41% White (95.6% Non-Hispanic White and most with English as their mother-tongue) according to the 2000 census. Demographics are clearly changing fourteen years later, though. For instance, there has been an influx of younger Quebecois with a population of over 2000, in Deerfield Beach. Those who live here feel safe. As I take my morning walk around this “village” where my parents are staying, I am surrounded by both vital seniors (some well into their late 80s and early 90s) as well as those who face physical or mental challenges. Many still live with their partners but others confront and struggle with loss and death.

My parents joined their friends in the Century Village, Deerfield Beach, in 2000. They are all over seventy years of age and most are “snowbirds” who are thrilled to get away from northern winters of snow, ice and freezing temperatures. They enjoy the warmth of the sun and go for daily walks around the grounds. There are pools, a community centre (with cultural and art activities and a gym), and opportunities to meet new people. The beach is a ten-minute car ride away. The community has just about everything those living here could want.

At the Volleyball Court

At the Volleyball Court

This coming February my mother will turn 86. My dad, who is 85, has had multiple small strokes which have led to a degree of dementia (he also is diabetic, has heart issues, and other ailments that are not unusual for a North American man of his age). My mom is his sole caregiver. At home in Montreal she can walk, take buses, the metro, or taxis to get around and my sister and her partner help her out as much as possible. In Florida, it is more difficult since she does not drive (it’s virtually impossible to get from place to place without a car in Florida). So, I volunteered to join her here for three months, to drive, cook, help clean, and keep my father occupied with walks and scrabble games, which he is still able to enjoy and even win on occasion.

My mother is in good health as are many of her friends. Together, they go to movies, the opera, and out to eat. However, the reality is that because of my father’s decline my parents are left out on occasion and are sometimes lonely as a result. My mother tries to get out with or without my dad. Friends seem to not call or drop by like they used to and I believe the reason for this is the fact that my father is not healthy, cannot hear well, cannot remember well, and cannot carry on a conversation. He is no longer the funny, smart, quick-tongued, articulate, and engaging man he once was. Plainly put, he is old and despite retaining a great sense of humour and good attitude, he can be difficult to be around when he is not silent and in his own world.

My father exhausts and worries my mother for obvious reasons. She has not only him to care for but herself and their household as well. He is dependent on her to give him his medication, take him to doctor appointments, keep his daily routine on track, give him his meals, monitor his extreme between-meal nibblings (one of many symptoms related to the dementia), take him for walks, take care of the bills, etc. None of this is atypical as we get older.

For better or worse, decrepitude is in the cards should we live to a ripe old age. My father’s movement toward infirmity means that during my sojourn in Century Village I must confront the process of aging and deterioration without averting my gaze. My goal, while here, is to get to know some of the residents, photograph them and their surroundings, and explore and tell the story of how they live here, learn about their community, and how they have come to grips with the process of aging and being at the edge of North American society.

The Grounds

The Grounds

The Grounds

The Grounds

Building F

Grantham F

The Grounds

The Grounds

At the Pool

At the Pool

 

Look At Me. I Am Here

Abandoned House, Maine

Abandoned House, Maine

Every photograph is, in some respect, a self-portrait. The photographs I take say as much about me as they do about my subjects, since how I perceive the world is purely subjective. Photography is about seeing, feeling, longing, remembrance, and connection. It should suggest questions, without necessarily giving answers. The camera frames what I see and the moment I frame something, I express myself by what I’ve chosen to include and to exclude. The act of taking a photograph is a very personal endeavour.

All of our time is spent with our selves. Given that, I have decided that I might as well take photographs of my own body, self-portraits if you will, to try to get below my own surface.  After all, I am here. I want to see my self – get very close. Dig deeply.

Recently, I bought a “smart” phone and have tried taking some “selfies.” I discovered that I have difficulty looking at and pointing the camera toward my own face. This year, I turned fifty-five. I am aging and photographs reveal this reality. No matter, I have decided to dive into social media and show self-portraits on Instagram. I am interested in identity and understanding how we see and identify ourselves.

At Home (one of my very first "selfies")

At Home (one of my very first “selfies”)

Yet, the truth of the matter is that I like to be behind the lens rather than in front of it. I am, at heart, a voyeur and like looking into other people’s windows (literally and figuratively); this is why I keep the shades down at night. So, I have decided to peer into myself.  What do I see? How can I capture and communicate my emotions?

On the street I am attentive. I take the camera with me and shoot with purpose. However, now that I have an in-phone camera I shoot with a new-found frequency, more loosely, and freely. I am ever more connected to the process, to play, impulse, and chance. I suspect the phone changes the way I photograph because it is always there – better than any “Instamatic” ever was. Much of the time I turn it toward me.

The iPhone and Olympus OMD-EM5 camera are the tools through which I speak. And yet turning the camera on myself, my face, my body, I find they fail me. My body appears conspicuous. The skin ages. Joints creak. I am a stranger to myself. This “otherness” changes, daily. I am here and although it requires effort, these self-portraits open a dialogue with my self.

Along the Charles River

Along the Charles River

Along the Charles River

Along the Charles River

At Home

At Home

Sunday Afternoon

Sunday Afternoon

One Bright Day

One Bright Day